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Download e-book for iPad: After critique. Twenty-first-century fiction in a neoliberal by Mitchum Huehls

By Mitchum Huehls

ISBN-10: 0190456221

ISBN-13: 9780190456221

After critique' identifies an ontological flip in modern U.S. fiction that distinguishes our present literary second from either postmodernism and so-called post-postmodernism. This flip to ontology takes many varieties, yet often After Critique highlights a physique of literature-work from Colson Whitehead, Uzodinma Iweala, Karen Yamasthia, Helena Viramontes, Percival Everett, Mat Johnson, Kim Stanley Robinson, Read more...


taking on 4 diverse political themes-human rights, the relation among private and non-private house, racial justice, and environmentalism-After Critique means that the ontological kinds emerging Read more...

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Extra resources for After critique. Twenty-first-century fiction in a neoliberal age

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10 Complicit Critique This is of course horrible news for the political left, which finds itself unable to speak truth to power because power has incorporated so many of its potential truths. On the one hand, neoliberal rhetoric cynically ventriloquizes leftist idealism, readily portraying the systematized neoliberal cog exploited by his university as either a selfless team player or a farsighted student committed to self-improvement through education. On the other hand, neoliberal rhetoric is quick to idealize leftist cynicism, readily portraying the entrepreneurial subject’s big payday as either a win for a worker freed from his exploitative labor relationship with the university or as a moment of economic and social uplift.

23 Literature, however, can afford to mean differently; it can experiment with alternative, post-critical forms of value production and continue to thrive as a significant cultural endeavor. In short, the flexibility of literary form demonstrates new ways of thinking through the impasses of neoliberalism. The texts I investigate here do not explicitly set out to signify ontologically. And their shared reluctance to critique certainly doesn’t lead them all to embrace more ontological forms in the same way.

More than mere representation, Quiet Storm’s text is a transmission that alters the landscape rather than just referring to it. Like the zombies whose “inhuman 28 After Critique scroll” argues loudly for their presence, for their inclusion in the city, the non-referential language of this auto text speaks the fact of its own existence, translating Quiet Storm forward and linking her to the things her text comprises as well as to those who encounter it. Readers of such transmissions need not discern the world to which they refer or the meanings they represent.

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After critique. Twenty-first-century fiction in a neoliberal age by Mitchum Huehls

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